I'm a digital painter. Portrait painting is my speciality. I am a professional photographer portrait photographer. I love to paint. I can paint with or without the use of photographs - depending upon client needs. I create both portrait and fine art paintings.
The rose paintings continue. For awhile now, I haven’t had to wonder what I was going to paint! For the past several weeks, it’s just been roses.
Above, abundant energy and foliage, and for me, unusual colors in this painting.
Above: It’s playful and energetic, So long as I’m moving my hands, I’m growing in skill and confidence in my brushstrokes.
Above: I love the feeling of the thick paint and texture in this painting which give it so much dimension. It jumps off the background.
I think you can see my issue. My painting styles are quite diverse. It would be hard to recognize them as coming from the same person. I would have to say that the painting style immediately above comes with the greatest ease and most likely would be found to be the least desirable! That’s the way it goes. I will not abandon this hand I’ve been given.
I’m always – well, not always, but from time to time, I go into intense rose practice sessions. Roses are complex and as with any flower, there are many ways to paint them. Above is a more traditional look.
These are abstracted roses. It started with a small aqua vase in a table next to me filed with white artificial roses with a pink trim. I immediately stepped outside of the box in my approach to painting them. My hands didn’t want to be traditional that day though I was completely open to it. Rarely do I know what direction I’m going to take when I start a painting. For me, it’s a good thing and I just enjoy the journey of unexplored roads. If I get completely lost – I toss it, but most often it leads me to a very interesting place I may never have chosen to go. Such was the case here. It does remind me a little of Cezanne’s color palette of golds. greens and blues and the use of black outlines.
This was a fast rose painting rather than one I labor over for hours – or days. I need to do more if this kind of painting. It gets one out of thinking so much. It gets one out of so much detail. Well, I’m interested to see what will happen next. I have absolutely no idea!!
I made so many typos last post, it was truly embarrassing. I hope never to do that again.
Hi There! Since in my last post, I presented what would better have been described as a succession of paintings, rather than a progression. This week, I’ll show you a real painting progression.
Because many of my paintings are from imagination, it can take me a while to sort out exactly what I want it to be. This sequence shows the evolution of this painting. In my last post, I thought I was finished – maybe, but this painting has now been sitting for a while and I feel no need or desire to change it. Be sure to read to the very bottom – there’s a surprise!!
Below – the very the beginning. When I started I was thinking hydrangeas.
Below – just a little more development.
Below – Abstract hydrangeas. It’s apparent I was thinking flowers in the beginning. I thought grapes! Interesting, but I kept painting!
Below, the evolution into grapes – but not grapes I loved…
– so, I kept painting! The colors are luscious, the movement is good but as I kept looking at it – it just wasn’t quite there.
Finally, I FINISHED!! This is the final version – same as the top image. I repeat this image so as to have the progression in order. There’s a pretty big change, from beginning to end. I enjoy painting grapes – the colors and the way light moves through them. I try not to like paintings like this – even my on – I’m not sure why but I guess I do like it – if I create it. HA!
My other news – I have a WORM BIN! I’m excited! I’ve had it for 3 weeks now. I love the little Red Wigglers – all 1500 of them! Why? – I hear you ask – because I want worm castings for my summer containers. Worm castings are pretty amazing for enhancing the growth of food and flowers. They’re in my studio. I won’t say more now. I’ll create a different post soon and tell you all about them. We have names we’ll need to pick out! Just kidding! Bye for now and thank you for following me.
There are so many ways to paint hydrangeas and hydrangea still lifes. I’ve tried quite a few. They are challenging with all the little cluster petals. There are those who paint the little 4 petal clusters all over.
That’s more detail than actually interest me. If anything I want to become more more loose – more abstract. I’m going to work on that. But for now, here are a few examples of work I’ve done recently and one hydrangea painting from a year ago. One painting I created and then scraped all the flower heads back to repaint. I thought I’d put them all together.
I like painting above but find it a bit too “sweet” and whimsical for my preference. Below, though very accurate colors for the petals, I fond them distracting for the overall image hue. They had to go.
I also decided the flower heads above had too much texture, saturation and contrast. Better to scrape off the heads and redo them. (not shown) I did that but still wasn’t happy and redid them again. – see final below – or is it!! I’b always good for a redo, if over time, I. am not happy and there remains some significant portion of the painting I like.
The colors harmonize better and I like having foilage but they don’t look like hydrangeas. I will redo at some point.
I painted the above painting more than a year and a half ago when I was just getting started and trying to work out what a hydrangea looked like – how to paint all of those little petals but NOT!
I thought you might enjoy seeing the struggle! Hope you’re enjoying your summer. Winifred
I wanted you to see I can paint other than sunflowers. I picked these flowers from my garden. The rose is a carpet rose, in case you know them. They’re not fussy! They will grow in almost any soil and with minimum care. They only want sun. Given that, they flourish. There are several hundred blooms during late June and July and a new flourish of these flowers in late August and September. Combining a few stems of the roses with fresh daisies made a lovely casual bouquet. I very often paint from photographs. This time I had both the fresh bouquet and a photograph to draw upon.
It’s been an enjoyable couple of weeks painting roses, which started with this one. The texture of the linen and the impressionist brushstrokes combine beautifully, I think, with the smoother impasto of the single red rose. I will switch to pink roses next time. The new painting has been designed – and awaits my attention. It will be a larger painting – probably 16×20. Today, I cleaned and reorganized my studio and I’m ready to go. I hope you enjoy the roses. Winifred
In my last post I shared the initial paint sketch, for the above painting I had in mind. It was part of a process which really makes a positive difference, though I rarely follow it. A large sketch – about 11×14 was created, followed by the small painting to test color and design (see previous post). The test painting was a long and skinny. I then did a vine charcoal sketch on my 20x 30 inch panel. This required altering the aspect ratio from the small test painting, but knew I could manage this. The idea was not to make the final painting identical to the small painting. I painted the full 20 x 30 painting, which I like, but have decided to crop it to 20×24. Both versions work but the cropped is just a little more impactful. This is my largest painting to date. I will be creating more. Hope you enjoy. Thank you, Winifred
My Venice paintings were rather complex – not to say, sunflowers are not challenging, but painting them brings a smile. The above oil painting was particularly enjoyable and was created from imagination. I created quite a lot of paintings from imagination when I painted digitally. I felt I had less to risk if I screwed up. I could throw away a layer – only part of the image, and make corrections. I feel great joy when I look at the above painting, which hopefully means I’ll create more.
It was two years ago when I visited Venice with a friend from New York. I have now completed a 6 painting series of “Venice at Night”, primarily in the rain. I most enjoy creating figurative paintings which you can feel and which tell stories. I think I have a few such paintings here. During the process, I got to experience the magic of Venice again.
To complete the series, I include below the first painting I started with – previously posted. The location is Murano, Italy and during the day.
I hope you enjoy these images. Soon I will commence images of the canals and Gondolas.