I’m always – well, not always, but from time to time, I go into intense rose practice sessions. Roses are complex and as with any flower, there are many ways to paint them. Above is a more traditional look.
These are abstracted roses. It started with a small aqua vase in a table next to me filed with white artificial roses with a pink trim. I immediately stepped outside of the box in my approach to painting them. My hands didn’t want to be traditional that day though I was completely open to it. Rarely do I know what direction I’m going to take when I start a painting. For me, it’s a good thing and I just enjoy the journey of unexplored roads. If I get completely lost – I toss it, but most often it leads me to a very interesting place I may never have chosen to go. Such was the case here. It does remind me a little of Cezanne’s color palette of golds. greens and blues and the use of black outlines.
This was a fast rose painting rather than one I labor over for hours – or days. I need to do more if this kind of painting. It gets one out of thinking so much. It gets one out of so much detail. Well, I’m interested to see what will happen next. I have absolutely no idea!!
I made so many typos last post, it was truly embarrassing. I hope never to do that again.
I wanted you to see I can paint other than sunflowers. I picked these flowers from my garden. The rose is a carpet rose, in case you know them. They’re not fussy! They will grow in almost any soil and with minimum care. They only want sun. Given that, they flourish. There are several hundred blooms during late June and July and a new flourish of these flowers in late August and September. Combining a few stems of the roses with fresh daisies made a lovely casual bouquet. I very often paint from photographs. This time I had both the fresh bouquet and a photograph to draw upon.
It’s been an enjoyable couple of weeks painting roses, which started with this one. The texture of the linen and the impressionist brushstrokes combine beautifully, I think, with the smoother impasto of the single red rose. I will switch to pink roses next time. The new painting has been designed – and awaits my attention. It will be a larger painting – probably 16×20. Today, I cleaned and reorganized my studio and I’m ready to go. I hope you enjoy the roses. Winifred
In my last post I shared the initial paint sketch, for the above painting I had in mind. It was part of a process which really makes a positive difference, though I rarely follow it. A large sketch – about 11×14 was created, followed by the small painting to test color and design (see previous post). The test painting was a long and skinny. I then did a vine charcoal sketch on my 20x 30 inch panel. This required altering the aspect ratio from the small test painting, but knew I could manage this. The idea was not to make the final painting identical to the small painting. I painted the full 20 x 30 painting, which I like, but have decided to crop it to 20×24. Both versions work but the cropped is just a little more impactful. This is my largest painting to date. I will be creating more. Hope you enjoy. Thank you, Winifred
Belated Happy Thanksgiving! 9×12 Oil Painting on Canvas Panel
I hope it was a good day for you, however you choose to spend it.
Still lifes are always a great “go to” for me, when I don’t know what else I might enjoy painting. I decided to make this one a bit more complex and to paint this faceted coffee pot I recently acquired. I have 3 pieces from this set and might paint them collectively in one still life someday.
I enjoy the color, light, texture and movement in this painting. I hope you do also. Warmly, Winifred
Im not sure why we’re so fascinated with the many long cords laundry pinned to them we see in Italy. I love this visual also. In fact, on any given street, if I saw hanging laundry, I photographed it. It’s kind of like joyful colorful flags waving in the wind. This is my first attempt to paint from such a photo. The process was interesting.
Laundry in Italy
Below you see the photo which inspired the painting.
The image below is in image of an earlier stage of the painting. I like it quite a lot – perhaps even better than the finished painting with the laundry. I enjoy the strong shapes and simple blocks of color. No Fuss. In the future, I just might create this as the painting. At this point, I’m happy to have it as a digital file.