Have you seen her before? The last time you saw this lovely lady she had her hands covering her face. No wonder you don’t recognize her!
With her bone structure and the way light graces her face, I thought I should uncover it for this painting. Throughout the summer at a certain time of the morning, I would often observe light coming through a certain window and think ” I must capture a portrait in this light”. On a certain day, I had that opportunity. One only has to “see” the light and recognize it’s potential. I had no idea what an important role my dramatic portrait photography would play in my portrait paintings. It’s also a good thing I enjoy costume design via paint. She was wearing a little black tee with sunflowers but I decided to create her as more regal.
Below, is the previous portrait I posted – her hands covering her face. I really like the painting but wanted to show her face as well. Hope you enjoy both. Winifred
I thought this lovely lady and my dragon bench would look splendid together. I featured a photo this bench in my recent “home gallery” post but I’ve never painted it before. I would often look at this bench and would think “not today” even if had been captured in a reference image. It was actually less stressful to paint than I imagined. Her portrait, on the other hand, posed the usual portrait painting challenge. In every painting there is something to be learned and I enjoy each new experience. Hope you enjoy. Winifred
She wore black jeans and a black tee shirt when I photographed her. I allowed her to pose herself and I’m glad I did. The aspect of the pose I find most endearing is her arms. I never would have positioned them as such but they’re perfect – the elongated arms flowing into the interestingly interlaced tapered fingers. I also didn’t envision this painting style – for sure. There is a class I wanted to take. It will be taught by Valerie Collymore, quite an amazing impressionist painter. Her class is entitled “Renoir Like” – but sadly for me – it’s full. I decided I would paint my own “Renoir Like” portrait but my imagination took over the process and this painting took on a life of it’s own, determining color, texture and abstractions as it evolved. I’m glad things happened as they did. After all, I will always be better at painting “Winifred Like”. Hope you enjoy. Winifred
Often, if not all the time you’ll see groups of people gathered in the many narrow paths and streets of Venice, Italy. At night, this is an even more striking as they are lit by golden window light. Add rain and you add shimmer to the darkened silhouettes. Umbrellas don’t play a dominant role in this painting but they are present. Hope you enjoy. Winifred
From time to time, over the past 4 years, I’ve viewed the reference photo I took and used for this painting. Often I felt it far too complex for me to paint – or at least, I didn’t want to work that hard. I did love the shapes of the chair backs and of course, the candlelight and the shadowy figures in the dark. Finally I decided I was ready and actually enjoyed the painting process very much. As always there is a change in painting content from that which existed in the photo but that’s to be expected. Hope you enjoy. Winifred
I textured my panel before I began this painting. I made a modest attempt to bear in mind the shape of the figurative elements so the texturing wouldn’t look completely crazy!
There was no umbrella showing in my reference photo though I knew she held one and so with a few expressive red lines, an umbrella was created. When people have seen this painting, they thought it referenced a far away exotic country. The fact is, I took the reference photo of a friend returning from a celebration. She was walking right in front of me, in the middle of the concrete street, with cars on the edge of the road and houses in front of her, right here in Poulsbo, Washington.
I’m enjoying living in a gallery. Many friends and neighbors have visited. It’s quite enjoyable when they do. Call first. 360.779.1375. If you don’t know about the gallery, please see my previous post. I hope to see you in the near future. Have a great day.
Welcome! Something big has happened to my home! With the help of two talented and wonderful friends my environment has changed dramatically, my home has become a gallery. (Above: Almost a 270 degree living room/gallery panorama). Overall 86 paintings are on my walls.
Creating this environment was an immense amount of work. During my past 5 years painting with oils, I didn’t hang paintings on my walls. I chose to daily paint daily – and not focus on using my painting as decor. Well, that’s changed. Paintings stacked up in a spare room in a hap hazard fashion. I needed to either hang them or box them for protection. Painting still lifes, more so than portraits, was new for me. Early in my oil painting life I received many commissioned portrait sales. They were beautiful. I’m comfortable with portraiture. For 20 years, I had created portraiture photographically, as digital art and then in oil. I love portraiture, although, as you will see, I wanted to spread my wings.
Now, I’m surrounded by paintings of all kinds. Not only that, I brought into this space my most interesting soft furnishings to compliment the painting presentation, which I’ll also show you. I’m thoroughly enjoying the new environment and I can now easily share my work with invited friends and neighbors.
Each wall or grouping has a theme by content or color. There were roses and peonies on one wall, oranges and yellows, primarily sunflowers and fruit on another. I paid close attention as the concept was developed and the layout created on the floor before it was installed on the wall. Husband and wife team, Sapna Sopori and Alex Wisniewski – have professional lives which have nothing to do with this kind of activity. However, I had noticed Sapna’s passion for decorating and lots of picture hanging in her home. I ask if she would help me. She excitedly said “yes”. Not sure what I would have done without the two of them.
This dragon bench is certainly one of my favorite pieces of soft art, made by artist Marilyn Phillips. I’ve had it for a long time. It fits in very well with the paintings. Sapna, who designed this project is captivated by the dynamic of the single escaping grape in the still life above and the dragon, thinking that at any moment grape might just fall into the dragons mouth. The paneled room divider with it’s square sections also works perfectly in the overall design scheme.
Below: I don’t know much about the origins of the settee below. It’s an antique. I previously used it in my portrait studio.
This settee was the most used piece of furniture in my portrait studio and gallery because of it’s adjustability. The arms can be moved from completely vertical to completely flat. In addition, it’s so perfect for a mid day nap! It’s also the perfect compliment for my collections of daisies and sunflowers paintings above or in fact any group of paintings. By the way, I’m thinking of painting that gray/green wall a deep burgundy/brown so the blinds disappear. I actually have just the correct color on the opposite wall.
The paintings below, are on the wall just to the left of the red settee – still in the living room. On this wall the paintings are a little more abstract than others.
Below: To the left of paintings above is my green settee.
I found this unusual piece of furniture at the Salvation Army Antique store in Seattle 20 years ago. I was so excited. It was torn in places; you can see the new fabric used to make repairs.The arms can be rolled out and off. They are attached with curved metal rods. The back will pull off. I wondered about the origins of this unusual piece. A while back, on a business trip to Colorado I entered an antique store – where to my surprise were several identically configured pieces of furniture – but with different fabric. They were in a terrible state of repair. The shop owner explained that they use to be in the lobby of old movie theaters. I’ve been told that the fabric on my settee is something very special – designed by someone very famous who has work in the Metropolitan Museum of Art in New York. I’m making efforts to know more about it. I should do an image search – but as yet, I’ve not.
As we pass the green settee, we approach the dining area.
Above and Below:- Wall of portraits and figurative paintings. I’m enjoying doing portraits and figurative painting again.
Below: Dining area.
To the right side of the blinds in the dining area is another portrait wall which includes shopkeeper in Italy and Italian women walking in the rain with umbrella, a Guatemalan woman and intense portrait of a women in “despair” and a musician in glamorous attire. Below the portraits is a ceramic art piece named by artist Steven McGovney named “Winifred”. It’s a book end. There were two. The other bookend “Priscilla” was blonde and sadly she was broken.They were best of friends!
Above: My most recent portrait/figurative paintings have some cyan coloring. The others I painted earlier, including two which are part of my Venice collection.
Moving toward the stairs and the entry of my home are two paintings commemorating the Covid Pandemic and Black Lives Matter demonstrations which took place during this period. We then head toward the stairway to view the “Venice in the Rain” series. It’s a themed series which includes people with umbrellas, painted from photos taken on a rainy night in Venice. I have created 11 paintings in that series. Only 7 are on that wall, but there was no way to capture them all at the same time.
To the far right on the stairway landing, you see a glimpse of another painting. It’s a painting which purchased in New York years ago from painter Steve Lindsay
Below: I attempted to create a panoramic image of the Venice themed paintings while walking downstairs. In a way, it didn’t work, but in a different way, it worked fantastically. I love the breaking apart and abstraction which occurred. It’s the best!!!
Comments are back on. I’d love to know what you think. Thank you … and Thank you Sapna and Alex. Winifred
I took the reference photo for this painting probably 17 or 18 years ago. It’s a photo, not even a digital file which I happened upon recently. This painting may get additional attention in the future – which is frequently the case, but for now, I’m just try to figure out how to get through the extreme and unusual heat expected over the next few days. Monday is projected to reach 106 – historic by far! The great majority of people in the Northwest don’t have air conditioning – including me. We would typically not use if for more than 1 or 2 days during the summer if the temperature reached the high 80’s or low 90’s for a couple of days. But as we’ve seen radical weather changes all over the country, it could happen here, again. Although no air conditioners are available right now – sold out, I think I’ll place an order believing that as early as it is in summer, I should plan for a duplicate performance. This is what’s on my mind today.
Fortunately, my studio is probably 20 degrees cooler than it is outside – so I’ll keep painting for sure. With care, keeping blinds and doors closed and fans going, I can maintain a reasonable comfort level and “power through” the heat. Sunday 99, Monday 106 degrees,Tuesday 90. Wednesday 81 or something like that, so I’ll manage. I’m a person who prefers 70 degrees so this heat will be challenging. Hope you’re comfortable wherever you are.
There was no abstraction in the photo reference. It was a normal street scene with a building in the background, a door, a window, a street and a curb. Originally I painted this. The photo was interesting, but in the painting those street/building elements were not working design wise as I had painted them. I decided it would be a better choice to eliminate them. I wiped those elements from my panel, leaving some rough drying brush marks and the color changes I’d made to the background. It turned out the removed elements had not been essential to my focus – the woman carrying the load on her head. I added some additional brushstrokes to enhance the abstraction, the painting was was done and I liked it. Quite by accident I’d created an urban street scene abstraction or what might remind me sadly of war torn Gaza as a background. (Photo reference by Daphne and Art Carlyle).
There will be one more painting from a Guatemalan photo reference and I’ll be done with that series. It will be a man.
That’s what a friend said when she saw this painting. Perhaps she was referring to the light hitting the peony petals, but for me it has two meanings, as we hopefully we soon move toward the end of this election – and hopefully with Trump gone!
I created another peony painting this past week – below – but it no longer exist.
I broke the panel and threw it away. I have a bit of regret, I must say. I think I should take a couple days at least before I do these impulsive things – but I won’t dwell on it. One really cannot SEE a painting clearly if it is completed in a day. One is far too close to it at that time. I couldn’t see fully the merits or the faults. It’s pretty amazing what one does see a couple days later – or perhaps a week later when you’ve moved a bit past the “touchup” and “fix it” mode. It’s a very different experience – but at the time – I felt the need to break something!! The peonies in this painting are actually pretty well done. So I will make this a rule for myself – WAIT.
Obviously flowers are my subject matter of choice. I didn’t know this would be the case when I began to paint. The fact is that flowers are colorful and joyful. Who doesn’t like to receive a bouquet of flowers! I’m painting happiness and given so many of the policies and practices in this country – I need it! Hope you’re having a good week. May MY candidates win!! Winifred