Study of a Master Painting

Study of Rembrandt Self Portrait 9×12 Oil Painting

Rembrandt (1609 – 1669) Dutch Painter and one of the most influential painters who ever lived. If you ask most painters and others knowledgeable about painters, he is likely to be their favorite. Formally, as a photographer, we’d referred to Rembrandt lighting, which describes a specific light pattern on the face. You can see it above – light coming from the side but creating a pattern of light on the opposite cheek and a shadow extending on the shadow side of the face down to the upper lip. It’s a dramatic light pattern which works well for a seriously posed face. I enjoyed creating this study. It was difficult of course and all portraits are but I derived benefit and will take some of his techniques into a future painting I have planned. Also, very significant to his paintings is the very strong contrast with shadows fading softly into a dark background – edges of the hair are lost. Painting Master Copies or Master Studies have always served as a significant learning tool and I will paint more of these studies in the future.

Below is the “red” version of the initial painting. As you know, I pretty much “finish” a painting and shortly thereafter decide I am not happy with it. I decide I need to do more or need to make changes, often MAJOR changes! Most of the time I don’t show you the “after”. Though in this case, I even said I wouldn’t continue to work on this painting. That’s how much I didn’t like it – but it kept talking to me and I took it back to the easel.

Two Bricks – Two Apples 9×12 Oil Painting by Winifred Whitfield

When I decided the painting below wasn’t working, I no longer allowed myself to look at the reference photo. I wouldn’t allow it to give guidance any longer. I alone would have to figure out out what I wanted the new changes to be. That’s taking a bold step as the changes to the “red” painting are pretty dramatic. How it turned out is less important than that I was willing to put aside the photo reference. Fortunately I do prefer the latter version. I like the fact that the elements all flow into each other, it’s more painterly and I love the many reds. One thing for sure is the more I put reference images aside, the better off I will be, allowing a greater channel for creativity. Have a wonderful weekend. I have just begun a new portrait.

2 Apples 2 Bricks and Grapes Oil Painting by Winifred Whitfield

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