Not a single floral this time! At some point, and very soon, I will post the entire collection of my paintings from Venice – I have many favorites. The image above has been posted before, I am posting it now because I am sure many have not seen it, and because I don’t have a new painting ready this week. I’ve been working on 2 paintings simultaneously – and neither is complete. I’ve been slow because I wanted each layer to dry before continuing to paint and because it has been a very busy week with other matters. Below, however, you can see what I’ve started. Hopefully, I’ll get them finished next week – not sure, both have a long way to go.
There are many painters who could get to this stage rather quickly, because they paint fast – which I don’t, or they may trace a photo onto a panel, or use a projector to project an image onto a canvas to trace or even print images on canvas with a printer. I only recently learned about this. The most I use as an external aid, is to create a 9 section grid on my photo and then loosely the same grid spacing on my panel, to help me accurately place the content of my reference. Before I create the grid on the photo, I often spend a substantial amount of time creating the actual reference I want to paint. I manipulate the photo substantially to alter or adjust the photo content as I want it to appear. I adjust the location of photo elements, the size, perspective, color. Ultimately my reference photo is not the photo I start with. It is very handy to determine these things before I begin painting rather than blundering along using the original unaltered photo trying to make changes to it “on the fly”.
Below, is the sketch painting phase of my first Gondola and driver with passengers. Hopefully the reason for this choice will become clear when complete.
There are many short cuts artist can use these days in the painting process which speed them alone to galleries or clients, but I tend to stick with the long and time consuming way of doing things. It’s just my way and sometimes it is tedious. I could even add more squares to my grid, to aid in capturing the proper placement of the reference image but I prefer the practice of increasing my ability of doing this from site. You’d be surprised how challenging it is. Some day, I may speed up my processes. Bye for now. Winifred
It was two years ago when I visited Venice with a friend from New York. I have now completed a 6 painting series of “Venice at Night”, primarily in the rain. I most enjoy creating figurative paintings which you can feel and which tell stories. I think I have a few such paintings here. During the process, I got to experience the magic of Venice again.
To complete the series, I include below the first painting I started with – previously posted. The location is Murano, Italy and during the day.
I hope you enjoy these images. Soon I will commence images of the canals and Gondolas.
Winifred Whitfield discussed her upcoming class beginning May 2nd at Digital Art Academy, Renoir Inspired – Part 1. She reviews the Ultimate Impressionist brush category she has created and is provided to Part 1 of this class. She will demonstrate Auto Painting techniques for creating an impressionist look in backgrounds and overlays. She will demonstrate the use of Fractal Patterns to create dramatic lighting effects in Painter. Students will create these resources and utilize these techniques to create simple impressionist looking paintings. One such painting will be that of water lilies.
In an endeavor to improve my blog, to increase it;s frequency and quality of content, some upgrades have been made. these upgrades unfortunately will remove you as a subscriber. I kindly request that you return to my site to enter your email address to resubscribe. I apologize for any inconvenience this may cause but I plan to make the changes beneficial to you. thank you in advance. Winifred
“MATISSE INSPIRED” Registration is open NOW!! Class starts September 1st, 2014
Instructor: Winifred Whitfield
There will be a class limit of 25 so please register soon. I am very excited. This is going to be so much fun for me and for you. It has been difficult – as you can imagine not showing you any of the images I have been painting both for my own practice and as examples but now I can begin to share a few with you. You won’t be creating my images, you will be creating your very own. They can be as simple or complex as you like. This image shows the themes, however, for the 3 weeks of class.
Lisa Phipps Sitting on her new CONCRETE Raised Beds with her Dog Lola
It was the scheduled photo session for Dee Cappola’s photos session and she chose Lisa and Frank Phipps’ farm and Gardens for the session. What a beautiful venue it is – not only the setting but the borrowed view as well as the unique structures, planting areas, and unique structures throughout the 10 acre property along with the her favorites the chickens and her dogs.
A Golden Polish Top Hat
I think the chickens in so many varieties are her favorites.
The chickens are looked upon by Lola with great interest.