The Goblet and the Drop Cloth

Goblet and Drop Cloth 16×12 BW Oil Painting by Winifred Whitfield

Drop cloths covered furniture to protect it while I prepared new panels for paintings. The drop cloths have an interesting character which allow it to hold folds and planes as opposed to soft gathers or draping effects. I felt strongly it would make a great background for my still life box set up. It would only require that I cut my drop cloth which I was reluctant to do. After I dismantled my protective use of the drop cloths, I folded them, each 9×12 feet, and put them away. However, my inner voice kept nagging me. It too knew I needed a piece of that drop cloth for use in my studio. I returned to their storage place, unfolded one of the drop cloths and made a 30 inch by 9 ft cut. I then cut that in half such that I now have two. Excitedly, I took one of my 2 halves to my studio and virtually tossed it across the back of my still life setup. Because of the stiffness of the backdrop, As I thought, it id easy and interesting to manipulate. I reminds me of the appearance of white table cloths in Cezanne’s paintings – though this is not what he used. I can also paint one side a different color. In fact I can have each of 4 sides a different color. So the fact is – I love it. I had recently pulled a white goblet from my cabinet. It was just there – nearby, waiting to be put away. I placed the goblet on the new background drop cloth. I turned my new spot light on. WOW! I thought it was so sculptural, so interesting. I took a quick I phone photo to isolate the image. It was good so I took 10 more photos – thinking I could go one better. The fact is, I like that first shot best and that’s what I painted.

Now you see why this painting is black and white only. There was a strong pull to add a spot of color – one red strawberry perhaps, but decided it was fine just as it is. I did use lots of juicy thick paint which is giving me great texture. A fun painting inspired by a painter drop cloth. That doesn’t happen everyday for sure. Hope you enjoy. Winifred

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Sunflowers against Blue

Two Sunflowers on Blue Oil Painting 12×16 by Winifred

Thick paint and vivid colors make me happy, though there’s still a little work to be done. These sunflowers, also featured in my last painting, were the last two left from the bouquet. They were still good but coming to an end. The petals of these flowers were unusual. Rather than “pointy” they were ovals and many had completely rounded ends. I’m not sure I have ever seen such before. For sure. I’ve never grown any which look like this. I’ll have to ask Trader Joe where they come from. I could have saved seeds but this is only occurring to me at this very moment.

I have a new light in the studio which offers a wide range of lighting styles for still life set ups, which is likely why you feel a sense of spot light on these flowers – because it is. Hope you enjoy and have a great week. Winifred

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The Tilt

Tilted Bowl of Fruit 16×12 Oil Painting by Winifred

It started when shopping for fruits and veggies. I saw a bunch of large tangerines in the center of the fruit display. They had large gnarly green leaves attached. I would include them as they would add a special touch to the bowl of fruit I’d create. I tilted the bottom of my support to change the point of view just a little to add additional interest. Primarily, I used a palette knife but not for everything. Always a challenge but I enjoyed creating this colorful energetic painting.

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Roses of Many Colors

Roses of Purple and Gold – Oil Painting 12×16 by Winifred Whitfield

I used a different color set this time. I still can’t claim that painting roses is getting easier. I could chose to paint only two or three at a time – but I don’t really want to remove the challenge – and challenge it is. Have a great weekend! Winifred

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2021 Apples and a Rose

Apples and A Rose 20×16 Oil Painting on Linen Panel

Happy New Year to all! I’m thinking of last year this time – we had no idea what was coming and we watched the world change and it was disastrous. This year, I’m hoping for positive change on so many levels.

I’m enjoying creating paintings on dark backgrounds as the last two have been. They’re dramatic – especially with the reds. Setting up a still life and attempting to crease a pleasing design is one of the greatest challenges. The actual painting is not as hard as that to do.

In the past I’ve create portraits and digital portrait paintings, often even full bodies, which grew out of a dark background of shadow. I find myself wanting to do the same with still lifes in oil. I’ve created paintings like this before but not for a while. Its a comfortable visual style for me.

I’m also beginning and online painting class. There’s a lot of that going on these days. I love to collect others painters techniques. I like the work and style of painter and instructor Elizabeth Robbins. My interest is not to paint like her, but I love to learn the process and thinking of artist whose painting styles I admire. She paints lots of still life florals with very soft edges and lots of pretty soft colors. Below, I show you an example of her painting and include a link to her instruction site she host with a landscape painter friend, where you can see more of her work – Inspired to Paint.

Elizabeth Robins Oil Painting

We’re even planning to schedule a portfolio review of my work. That should be interesting. I’ll let you know what she says – maybe!! I sincerely wish you a healthy and happy new year. Winifred

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Crimson Roses at Christmas

Crimson Roses at Christmas 16×20 Oil on Panel – by Winifred Whitfield

I’m wishing you, your family and friends a wonderful holiday season – even though you may be dealing with loss, illness and separation. At the same time, I understand that in combining this season with Covid 19, or other circumstances can amplify all the emotions, be they joy, sadness or disappointment. That’s just the way it is and always has been. Tomorrow is a new day.

Basically, I’m a non sugar eater. Sweets are just not my thing. I like salty and spicy. But if I take a bite, of a delicious sweet, that will often change things and I will consume it! It’s a carb/brain thing. I’ve been given a few treats the last few days that just blew my warm socks off – so good! I ate them. There was Tiramisu cake, absolutely amazing, and some pecans dipped in dark chocolate and a chili spice – so unbelievable good and dried fruit and nuts covered dark chocolate. I’m not beating myself up about it. I just enjoying. I even received a gift of Cranberry infused Vodka. I’m usually a modest red wine drinker and occasionally champagne but I said “yes” to this offer. I thought it was Vodka mixed cranberry juice – but NO, it’s infused with cranberries. I don’t know exactly what that means but it’s a potent drink. Later today, I’ll mix it with Prosecco and enjoy.

I haven’t posted in a while. It’s not that I didn’t paint – I didn’t like them. My paintings of roses are continuing to grow stronger for the most part. Roses are difficult to paint – more so than peonies, in my opinion. I’m pretty happy with these – though I will make a few changes.

Another unarmed Black man was killed by police. I won’t mention it when it doesn’t happen. Black Lives Matter.

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Hydrangeas and More

Hydrangeas in Watering Can. Oil Painting 16×16 on Panel – by Winifred Whitfield

It’s cloudy and the air is harmful to breathe in my town of Poulsbo,WA and in the entire Seattle area. I awoke to a golden cloudy sky – not a good sign. I content myself with painting pretty flowers.

We’re headed out of summer, though summer in art never ends.

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Colorful Abstract Floral

I hope this painting brings you a bit of cheer today!

Colorful Abstract Floral 12×12 Impasto Oil Painting by Winifred

My paintings have a life of their own, no matter what I have in mind – but I love the process of getting wherever I’m going. This was fun and I certainly enjoy the color, the shapes and the texture. I can also find fault with this painting. I pointed out to a friend who saw it, that there might be too much difference between the painting style of the flowers and that of the very modern and abstract style of the remainder of the painting. Fortunately, she disagreed. She thinks it’s perfect!! I was considering scraping off the vase and painting a more traditional vase. I reserve the right to do so in the future if it REALLY starts to bother me. You might think, why not just change the style of the flowers? Well, the flowers are far more complex to paint than a vase – that’s why!

I recently made quite a bit of the product I mixed with my paint to get this texture. I have 3 different formulas left to try – though you likely wouldn’t notice the difference in them. So, you’ll likely see lots of impasto in the near future.

I’m planning on painting something very bazaar this week. I’ve done a loose sketch. We’ll see how it goes. Meanwhile have a great week. Winifred

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Window Light

Window Light Oil Painting 8×8 on Panel – by Winifred

Recently, I’ve been thinking about painting an abstract background into which I would incorporate my focus subject matter – in this case flowers. Although I had never done this before, I thought it something I could do and would enjoy doing – in addition creating it as impasto. I decided to stop thinking about it and to hop to it! This was done from imagination. I am very pleased with the results and will certainly do more painting in this style in the future. I love this color palette as well. Hope you enjoy. Please let me know. Winifred

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Peaches on Cake Pedestal

Peaches on Pedestal Oil Painting 11×14 on Panel by Winifred

Firstly – Happy Mother’s Day!! I hope it is an enjoyable day no matter how you spend it. Finally back to normal sized paintings! I painted a vintage tapestry background for this painting – initially. I loved it. It had been challenging to do but ultimately I didn’t love it any more. Mainly the colors weren’t working and because it was complex, it would not be an easy fix to correct, so I decided to paint a drape instead – it was fun to paint a drape. I’m going to keep comments short today. Have a great day. Hugs to all. Winifred

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