Man with Hat Redo

Man with Hat – A shop Keeper in New York. 9×12 Oil Painting by Winifred Whitfield

There are so many ways to create an oil painting – so many possibilities of expression. Although I redid this painting, I wouldn’t say it was bad before but I came not to enjoy viewing it. That creates the perfect opportunity alter the vision and to explore different techniques. If I still don’t enjoy it, I can always sand down the painting and paint over it. Backgrounds are always challenging. They can be very simple with a solid color or they can be as complex as the painter desires and can visualize it. After repainting his face, which I prefer, I started to play with some rather abstract marks in the background. I decided they resembled tree branches – not really but kind of. I added some lighter warm tones in the spaces between the “branches as though warm light was coming through and that was that. The background is likely to be painted again in the future. Time will tell. I have to look at things for a while. It could take weeks or months for me to decide. For sure, I would like the background better if I sanded it down a bit, making it fainter helping to move it further into the distance. In a month or so when it’s dryer, I will at least sand it. Below is the previous version of this painting. He’s shroud in darkness. That’s an acceptable style of painting but it was bothering me, so I changed it.

Initial painting

It was a worthwhile exercise. But I didn’t stop with portrait practice, I attempted a floral as well. After spending more than 15 hours on the painting below, I have already scraped the process and scrapped off the paint. My flowers are no more! I’m looking forward to my next floral attempt and this time I’ll use a reference. It was a freehand effort. I would have done much better if I had I been working from a photo or vase of flowers. What I do like is the brushwork and texture.

Orange Flowers Practice

I also enjoyed the behavior of the paint. It handled quite differently from paint straight from the tube. I made a safe mixture of calcium carbonate and oil to add to the paint which altered it’s handling properties. Overall, I played with colors, texture and paint handling. What fun! Mainly, I didn’t like the shape of the flowers.

It’s so cold here – unusually cold for us. It’s been in the low teens the last couple of days. I’m using more heat but otherwise fine. I hope you’re warm and comfortable wherever you are. Bye for now. Winifred

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Lady with Red Scarf

Lady With Red Scarf Oil Painting 11×14 by Winifred Whitfield

Happy New Year everyone! It certainly *promises not to be boring. This is my first painting of the New Year. The same model as with the last two paintings. I enjoy this portrait. I rarely use such vivid color in my portrait paintings and love the loose energetic strokes in the scarf.

I keep thinking I’d like to paint a floral still life. We’ll see. I’ve also been taking some prior portraits to the studio to make changes. Some things one sees more correctly over time. Sometimes I’m just veering toward adding more detail because that’s who I am. I feel that I’m “correcting” it, whereas in fact I’m just adding more detail and should leave it alone. This is an ongoing struggle for me.

Wishing you health and happiness amidst the chaos. Winifred

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Woman with Cape and Hood

Dominican Woman with Cape and Hood 12×16 Oil Painting by Winifred Whitfield

I hope you’re having joyous holidays, or quiet and peaceful ones as you choose.The New Year is upon us and as I said before, I wish only for Peace on Earth. Oil painting will of course continue to play a huge role in my life – ever striving to deepen my skills and allowing for increased flow of creativity.

The reference image for this painting was created in the same photo session as in my last post. I draped her for this photo to add interest. I like the traditional looking period style of it. I’m currently painting another photo from her shoot but I remained troubled when viewing it – meaning more work to do. It’s good to take a good break. Hopefully, it will be my next post.

Happy New Year! I sincerely wish you the best year ever. Winifred

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Amber Necklace

Lady Wearing Amber Necklace 11×14 Oil Painting by Winifred

Initially I created a painting without significant deviation from the reference photo. She was a lovely model. She wore an olive green velvet spaghetti strap dress. Her hair was cropped chin length. It was a flattering cut for her. The background was plain. Upon finishing this version of the painting, I looked at it and found it to be such an unimaginative painting. I had added nothing. I wasn’t sure what to do but this first version was unacceptable. Before starting a new version of the painting, I went into Photoshop and began to play with possible changes in colors, attire, background and even her hair style. I developed a new vision. I then went back to my easel. I don’t know just how to describe this style of painting, but for me it expresses more of what I want to see in my portraits. Modern portraits and photographic looking portraits really don’t appeal to me even when they’re colorful and full of energy and well done. I’m attracted to the Old Masters, their color palette and their techniques. This painting was pretty complex because ultimately, it’s pretty difficult to create a painting when I’ve decided NOT to follow the reference photo. I do enjoy this painting now.

I am so excited that I’ve figured out how to take a decent photo of my paintings with the iPhone. I have 13 Pro Max and it has Adobe Camera Raw. I can make my own adjustments and I have altered iPhones automatic settings to eliminate the sharpening and contrast the iPhone was imposing on my paintings. I should have figured this out long ago. What a difference it makes and you won’t have to hear me complain any longer.

The last thing I’ll say is that these wars cause me great pain. Truly. Hope you’re enjoying your holidays. Winifred

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Lady in Window Light

Lady in Window Light – Oil Painting by Winifred Whitfield

I was introduced to this lady by the Master Gardener’s of Kitsap County Calendar Committee in 2006 when I photographed a calendar for the Master Gardeners as a fund raising activity. It was one of those “pretend to be nude” calendars – so long ago. One of the great things that occurred during the process is that the County, or perhaps the State governing body was less than pleased with this calendar concept and require a “BANNED” sticker to be placed on it. Boy, did that increase sales! We had so much fun and raised so much money. As we ended the project, I ask the calendar committee if they knew anyone who would like to have a beautiful portrait created. They all suggested this woman. They spoke of her beauty and elegance. It was true. The photo was 3/4 body length and had a wonderful background by virtue of using what was known as a Virtual Background Machine. I created a large photographic wall portrait for her. She was very pleased. I used only her head as my reference for my painting. I’ll see if I can’t find her to let her see it.

I hope you had a wonderful holiday. I have lots of smoked turkey left. I wish you health and happiness. Winifred

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Feathers Around Her Neck

Feathers Around Her Neck Oil Painting by Winifred Whitfield

A soft yet dramatic portrait – I created the feathered look from what was actually ruffles. I wanted to bring a bit of energy to the quiet look. This portrait was challenging, as is always the case, taking days to paint. But then I allowed myself to have the fun – stepped in vivid color and avoiding detail I was able to quickly paint the floral sketch below.

Rose Bouquet Oil Painting Sketch by Winifred

I call it a sketch because it is quite unfinished but that didn’t matter. I do love the fact that in this sketch I am able to convey a “bouquet of ROSES” with very few petals apparent. They say in painting “less is more”. That’s a hard lesson for a detailed oriented painter as I am – though struggling to overcome. In fact, I still thought I should add a second layer of paint when this initial layer dried a bit, just to add some details – but then I thought NO! Leave it! It was just fun and I did enjoy quickly putting down loose shapes of color, light and dark, and have it turn out not too bad – though the shadow is not very good.

Well have a warm and happy holiday and safe travels. I want these wars to be over. That’s my holiday wish. Winifred

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Butterflies in Her Hair

Butterflies In Her Hair Oil Painting by Winifred Whitfield

She was married in my garden – more than15 years ago. She was lovely – in no way a “bridezilla”. I photographed her wedding and printed her each of the 50 photos chosen for her album. I would be printing her photos in black and white in my “chemical dark room”. It was the only time I ever did this but her images were stunning – I must say. Not many people want a black and white wedding album when photos were actually taken in a beautiful and colorful garden. She has very classic and sophisticated taste. Some years later I held a workshop to study studio lighting techniques and Photoshop. She was one of the models requested for the occasion. My reference image for this painting came from that photo shoot.

At one point during. this painting I took a painting tool tool and made some streaks around the edge of her head. The first one in particular resembled a butterfly. It’s on the upper right side of her head. I’m sure you can pick it out – hence the title. If this painting looks a bit different, that’s good. I’m exploring new techniques which is an ongoing effort.

I managed to get 200 bulbs planted in15 large pots yesterday. Carrying dirt and compost, lifting pots, I was in pain by the end of the day. Two Ibuprofen and an evening’s rest, I recovered. What a “bulb show” it will be in Spring. It will go dark in the Northwest in a few days. Even now the sun sets at 5:45. Soon it will be dark at 4:30. Have a wonderful weekend and enjoy the remaining light. Winifred

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Looks Like Fall

Feather in Her Ear – Oil Painting 12×12 by Winifred Whitfield

It was only moments ago that I looked at this image and saw “FALL”. That’s what can happen when one combines yellow, orange, red, burgundy brown and green as the palette colors.This is particularly the case when you view some of the brushstroke shapes I created in this portrait. Also, I think I’ve solved the problem of the over sharpening of my digital files and too much contrast. What a pain that’s been. increased contrast and sharpening is fine for photos but not so for paintings. It ruins them.

You’ll be seeing some new styles of portrait paintings in the future and I’m looking forward to the process. Have a wonderful weekend. Winifred

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John Singer Sargent Study

Sargent Study – Girl from Capri – Master Copy

John Singer Sargent was an American expatriate artist and was considered the greatest portrait artist of his time (1856 – 1925). If you are not familiar with his paintings, I hope you will look him up and view his masterful works. He was painter of the rich and famous. I wanted to imagine his brushstrokes. This is my study of his study of Rosina Ferra whom he painted very early in his career at 22 years old. She was a frequent model for his sketched and finished paintings.

It is hard to know when working from internet images what the actual colors are in the actual painting and there were so many internet versions to choose from. Accurate and original color didn’t matter to me, as much as did form, values and accuracy of in the face. There was a substantial amount of violet in my painting and in my reference. None of this shows up in this internet conversion. I have little doubt that my version of her sweater falls short of his in many ways. The sweater was far more challenging than the face but I wanted to make an effort. I wanted some semblance of the abstraction of Sargent’s brush marks – marks which will remain uniquely his.The texture of his canvas would have also contributed significantly to the creation of the sweater and all aspects of the painting. Painting her face, was enjoyable and I think the color is in the ball park.

Have a wonderful weekend. Winifred

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Lady in Bustier

Woman in Bustier 12×16 Oil Painting by Winifred Whitfield

This painting began as a black and white photo, but I wanted to make it more than sepia tone. Painting it is color with it’s various color nuances was interesting. The lighting is dramatic and I can remember taking this photo in my studio years ago. I like it and I like the painting.

After I’ve worked for days on a very serious portrait as above, I most often select a photo to paint which easily allows me to PLAY – as was the case below. It creates a kind of balance within me. There’s the desire to just throw paint around. Any color, shape or brushstroke is almost acceptable, although I still attempt to achieve overall color harmony and composition. Lots of thick brush strokes are providing texture which of course does not photograph well. I did have fun! Hope you enjoy both. Hope you are very well. Winifred

Loosening Up

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