Three Pears on Green Marble Table – 11×14 Oil Painting on Linen Panel
Still life of pears on ornate table by Winifred.
I love textures paintings – as you know but they are far more difficult capture photographically than are relatively smooth paintings.
… and below, one more painting to share, a simple vase on a linen scarf.
Still life oil painting of vase on scarf by Winifred
“Shallot, Grapes, Small Onion” Three 4×6 oil painting (triptych) on board
Oil Painting Triptych by Winifred
Greetings!
I have a frame – not this frame, but a real frame which required three 4×6 paintings. I had never painted that small before. I started with 8×10’s and went larger. I wouldn’t have been able to take myself seriously in the beginning if I created such small paintings. Now I feel free to do whatever I need to do. I created these because of the frame I have and I like them. The small onion was painted first, the shallot next and finally more grapes – this time with a stem. Simple little paintings, each of which can stand on it’s on but are strong together.
I had to make an emergency food run the other night when I realized I was out of almonds!! No matter how much food is in the refrigerator, if I have no almonds, I am out of food!! I had already painted the small onion and wanted some other more interesting fruit or veggie with a stem or leaf on it.
I began to browse the fruit and veggie area and saw shallot (top). It had so much delicate flaking skin and stem. I thought it would make an interesting painting. I knew I would have to be very careful to get it home intact. I enjoyed painting the shallot, attempting to capture it’s unusual coloring and delicate outer skins.
I took home grapes as well. I love to paint grapes. This time the painting is from real grapes. There is a certain way to paint grapes if they are to be accurate. Painting grapes is similar to painting the iris of the eye. There is a highlight, but also a reflection opposite the highlight, as with the eye, because most grapes are translucent. I am able to use artificial grapes if necessary because I understand how they reflect light, and can simply paint it correctly. It was very nice, however, to have real grapes in order to actually see the light at work and experience and better paint the grapes translucency – particularly the grapes closest to the light.
When dry, I will frame the 3 together. I have considered replacing the lone onion with something a bit more complex but together I think they are fine. Should I leave it or replace it? Not sure yet. Please enjoy. Winifred