It’s been really difficult for me to create post during the past few weeks in the midst of ongoing mass murders – so I didn’t. I had to just stop posting for a while. I painted because that’s soothing but creating post/adjusting images to look like the paintings is a different matter. I enjoyed creating the two versions of this painting. I love the color and elegance of the painting above. I enjoy the texture and energy of the painting below. The fact is I enjoy both very much. This lady is the mom of the little blonde curly head girl with the teddy bear I’ve painted recently a few times prior.
I am compelled to say, I am a gun owner but I think we need to ban AR 15’s and similar assault, mass murder, weapons of war – temporarily or otherwise. No one has been able to identify any other purpose for them other than for mass murder.
She’s very smart, creative and hopeful for an accomplished and exciting future, but will she be allowed to have one? It’s unfortunate that this innocent child must bear witness to yet another violent act of racism in this country – the slaughter of 10 Black people in Buffalo NY shopping in a grocery store. This act, he said, was encouraged by concept of “the replacement theory”, rhetoric espoused by many Republican leaders and particularly embraced by and fed to the public by media mogul Rupert Murdock’s puppet Tucker Carlson on Fox News. It’s so sad! What is this theory? It offers that Jews and other people of color, “who are more obedient” are seeking to replace white people, the rightful owners of this country, to become the majority population and dominant voting block. The “replacement theory” offers that the “seeking” population needs to be silenced, subjugated and eliminated. According the killer, and his manifesto, it is this concept he was supporting by murdering the 10 Black people. He said he did not want Black people to feel safe anywhere.
I hope this beautiful little girl can have a long and prosperous future.
Initially I didn’t really notice how complex the reference photo was for this painting. This is particularly important since tend to get caught in the detail. Painting a full body, including face, two hands, two feet, curly hair, a teddy and a bookcase represents quite a lot of elements to try to get “right”. The head alone could constitute a full painting – so, this painting took a really, really long time
I do like this painting quite a lot, though I can still see changes I need to make. I continue the process of observation and making changes until one morning, I look at the painting freshly and I am content.
This little girl is such an amazing and sophisticated “model” for a three year old; in fact she is a substantially better model than many adults. She has a real sense of “creating poses” for a camera – real poses with authentic expressions. What a joy she was to work with. Hope you enjoy.
Will Smith banned from the Oscars for 10 years! YEAHHH! Banned forever would have been good too!
I love it when I can visualize a finished painting before I even create a reference photo for it. I was given a beautiful long shawl with a Native American design on it for Christmas. A couple weeks ago a friend came to visit who is Native American. I would photograph her wrapped in that shawl. I knew where I would seat her, how I would light her, how I would drape her. She was unusually comfortable with this process. After I seated her, she posed herself, with no help from me at all. She turned her head to the side and dropped her gaze. I clicked. I was amazed as I viewed the camera image. It was exactly what I wanted and the expression was PERFECT! “How did you know to do that?” I asked. She replied that when she was in high school, her photos were always better when she turned her head to the side and didn’t look straight into the camera. I took a few more shots – just because… but I selected that first “magical” image.
In the painting, the shawl is altered from the original pattern design, though inspired by it. The shawl colors are also substantially more colorful. I enjoy paintings whether with desaturated color or brightly colored, though I must say it was a joy to create all the color in this painting. The shawl actually stopped just below her elbows, leaving her forearms exposed. To create additional arm coverage, full ruffled cuffs were added, creating another visual element and texture. I hope you enjoy.
What a week. I feel great pride in the performance of and accomplishments of Ketanji Jackson Brown as she continues the confirmation process as the first Black female Supreme Court Justice. I continue to be jarred by the war.
For the past 20 years, starting with photography, then digital painting and oil painting, I am drawn to portraiture and figurative art. Portraiture grants the opportunity to create a “portrayal”, of an individual with the potential range of human emotions – be it joy, serenity, sadness or despair. One who commissions an individual or family portrait, normally wants to be flattered in their representation, as well as recognizable, all of which requires technique and precision. It’s something I work at all the time. I think the bulk of portraits painted are art portraits, portraits which have not been commissioned but are painted by the artist for art sake, to strengthen technique or to express a story. I am fortunate to do both.
I’ve seen many portrait painting styles from artist which I greatly admire. You know the thinking, “I wish I could paint like that”. Well, I’ve finally accepted that the only and best artist I can be is to paint like is ME and that will always be a work in progress.
Someone said that to achieve mastery in anything requires 10,000 efforts. With respect to oil painting, I have about 9,800 portrait paintings to go, so… I’d better get cracking!
Much has been made of the portrait of Michelle Obama painted by artist Amy Sherald in 2018. The discussion, primarily has been, Does the portrait look like Michelle Obama. The significance to me is that portraits are not required to look “exactly” like a person in order to portray who they are. I found a short and very interesting video featuring the artist Amy Sherald, Michelle Obama’s artist for her portrait created for the National Portrait Gallery. I think you will enjoy.
I wanted to do something different – something a bit impressionist looking. I did an easy sketch from imagination (no face) to create a practice painting. First the background was painted using short parallel brush strokes and transparent paint. My palette contained a rainbow of analogous colors which I could quickly dip into to paint it. The brushstrokes were rather random/abstract having no predetermined elements to paint. Ultimately I used lots of short curved parallel strokes. The background became rather interesting. I blocked in the figure with color in a simple fashion. The next day, that first paint layer was “tacky,” as opposed to wet or dry, and the painting was ready for a second layer of paint. I always love painting draped shawls and scarfs a well as designing jewelry to adorn my figures. I created a hairstyle somewhat similar to a friends, but not really! When it came to the background, I decided not to add a second layer because I knew this would substantially change the colors, and tone and I liked the colors and tones as they were. I convinced myself it finished and fine and hung it on the wall to observe and critique – I liked it. After a few hours of admiration, I said to my self – “go forth and experiment- no one is awaiting this painting – lets change it!” I am proud of my willingness to do that. I can remember when that would not be a consideration. Below: I wanted to create an alternate to the hard edged version.
I did this by feathering edges, blending strokes and by creating little soft abstract brushstrokes by allowing the brush to “dance”. When comparing the two, side by side, I prefer the first. It’s dramatic and the colors are luscious and royal. When not comparing, however, I enjoy the soft strokes and feathered texture of the painting which actually remains. Since I had no reference for this painting, deciding my color palette was a bit of a challenge, The shawl was changed, the scarf was eliminated.
It’s a new painting and thus far, it remains. I think you prefer the initial version – not sure. I think I prefer it. It reminds me of tapestry. This was an important exercise – at least instructive. The hardest part of posting these images is my inability to get the colors and tone and texture to actually look like the painting. I try. Thank you for sharing my journey – I so love it.
I must say that I’m so sad about the invasion of Ukraine.
This is my 4th attempt to create this painting as one I’m satisfied with. Really, three full repaintings. Hopefully this will be the last version. It was inspired on a tour of a major museum in Mexico. While walking the corridors, I stopped in my tracks when I saw a little Asian girl kneeling in the sand observing a small starfish. I excitedly thought “I have that photo”- not actually “that photo” – but a photo I took about 15 years ago of a different little girl squatting in the sand, observing a LARGE starfish. It was in fact so very large that I made it substantially smaller to create balance in the painting. This painting has gone through quite a few iterations. I hope it comes to rest in this version – though I do see a little something I might change!! Below – a different little girl.
So, we’ve gone from the museum in Mexico to the little Mexican girl who lives in Washington State. This was one of my first portrait oil paintings, painted about 4 years ago. I love the layers of color and texture and her pretty dark curls. She actually wore a red dress – hence my first layer of color. I remember how terrified she was when ask to stand apart from her parents for the photo. She is looking at them for reassurance.
Hope you enjoy the children – I don’t paint children nearly as often as I paint adults. Have a great weekend! Winifred
As she posed for an outdoor portrait, there occurred a gentle breeze which wrapped her hair and some of it’s fine strands about her face. I liked it and clicked the shutter, having no idea that years later it would become the oil portrait you are viewing. The wind was my friend.