Study – Sargent “Portrait of a Capri Girl” 1878 – 9×12 Oil Painting
It’s difficult to even find this image on the internet because it’s such an early work painted by Sargent and no doubt it’s not one of his most popular paintings. However, I found it at some point in the past and saved it to a collection of his portraits I keep on my computer as possible references. She was one of his very first models. I have created another study of the other from his set of two paintings of the Capri Girl. It is nearly 16×20 and I enjoy it on my wall. At a point I just quit working on this one and decided that “near enough” was good enough”. After all, it was intended as a study, not a copy, and I felt I’d derived sufficient benefit from the process. I wasn’t sure what that was in this instance, but it’s always useful to attempt Sargent’s brushstrokes. I think, I’ll next attempt a still life. I have some new references. Have a wonderful weekend. Winifred
Beads in Her Hair 9×12 Oil Painting by Winifred Whitfield
My painting this week was influenced a little by the Rembrandt study I posted last week, though the beads in her hair give it a pop of modernity. I like it. I enjoy the portrait look of the Old Masters which continues to influence many modern painters. The poses, the lighting, and even the expressions have a certain look. The reference image for this p ainting was a young girl about 10 years old, wearing a very colorful sundress sitting in a swing on a playground in bright sun. This is why she is lit from above. I subdued the lighting atop of her head to keep the focus on her face. I also subdued her expression, making it a little more serious. I wanted to add a pop of color and decided on turquoise which is a nice compliment to the gold and orange colors on her face. So far, I haven’t wanted to change the painting but I make no promises.
The painting is showing up in this post a bit darker than I see it but I know it will vary on every device anyway. There’s nothing I can do about that. Enjoy your day. Winifred
Study of Rembrandt Self Portrait 9×12 Oil Painting
Rembrandt (1609 – 1669) Dutch Painter and one of the most influential painters who ever lived. If you ask most painters and others knowledgeable about painters, he is likely to be their favorite. Formally, as a photographer, we’d referred to Rembrandt lighting, which describes a specific light pattern on the face. You can see it above – light coming from the side but creating a pattern of light on the opposite cheek and a shadow extending on the shadow side of the face down to the upper lip. It’s a dramatic light pattern which works well for a seriously posed face. I enjoyed creating this study. It was difficult of course and all portraits are but I derived benefit and will take some of his techniques into a future painting I have planned. Also, very significant to his paintings is the very strong contrast with shadows fading softly into a dark background – edges of the hair are lost. Painting Master Copies or Master Studies have always served as a significant learning tool and I will paint more of these studies in the future.
Below is the “red” version of the initial painting. As you know, I pretty much “finish” a painting and shortly thereafter decide I am not happy with it. I decide I need to do more or need to make changes, often MAJOR changes! Most of the time I don’t show you the “after”. Though in this case, I even said I wouldn’t continue to work on this painting. That’s how much I didn’t like it – but it kept talking to me and I took it back to the easel.
Two Bricks – Two Apples 9×12 Oil Painting by Winifred Whitfield
When I decided the painting below wasn’t working, I no longer allowed myself to look at the reference photo. I wouldn’t allow it to give guidance any longer. I alone would have to figure out out what I wanted the new changes to be. That’s taking a bold step as the changes to the “red” painting are pretty dramatic. How it turned out is less important than that I was willing to put aside the photo reference. Fortunately I do prefer the latter version. I like the fact that the elements all flow into each other, it’s more painterly and I love the many reds. One thing for sure is the more I put reference images aside, the better off I will be, allowing a greater channel for creativity. Have a wonderful weekend. I have just begun a new portrait.
2 Apples 2 Bricks and Grapes Oil Painting by Winifred Whitfield
Kazakhstan Girl with Necklace, Version 3, 12×16 Oil Painting by Winifred Whitfield
This painting has had quite a journey. I think I am finally satisfied with the painting above. It’s rather refined, something I’m comfortable with.This time I added a lace shawl and a more refined necklace patterned after one of my mom’s broaches. Painting the lace and the jewels was a new experience. It’s a matter of making just the right brush marks and using the colors reflected by the light. I found it interesting and rather effective.
Do you recall the progression of the previous versions? See both below. First (the gold) a loosely painted version (photo a bit distorted) which I over painted because of my insecurity paint about loose paintings. I regret that. Below that, I made changes attempting a tighter painting,which I didn’t care for. This led to today’s third version.
I am currently working on a Rembrandt copy. It’s very interesting to do do. It’s not really a copy but but an exercise using Rembrandt’s painting as the reference.
Kazakhstan Girl Oil Painting 12×16 by Winifred Whitfield
Kazakhstan Girl – Version Two 12×16 Oil Painting by Winifred Whitfield
After the beautiful red long stemmed tulips faded, this shorter stemmed ruffly variety in intense rose/red and purple tulips emerged. They reminded me of roses and I assure you they were equally complex to paint. I had planted this variety in a flower pot on the edge of a little walkway to my front door where I could see them easily even from indoors. I photographed them about 5 times during the changing light of day allowing me to have a choice of lighting and color. I guess it’s no surprise that I went with the most high contrast and vivid version of color though the other lighting versions were pretty also. Below is the first painting I created and I like it though the photo does it no justice.
Ruffly Tulip Overcast by Winifred Whitfield 9×12 Oil Painting.
The light was cooler on this day, hence an overall cool tone is also. Even these tulips have faded now but I certainly enjoyed them. My neighbors have also. I am pleased that I captured these memories. I have tried over wintering bulbs but have not been successful. I won’t even try this year. I will toss the plants into my compost and start fresh next year. I enjoy the various varieties that are being created year to year. I also share bulbs and pots of bulbs with my nearest neighbors – about 4 different neighbors this time. I know they love them though they might not obtain them for themselves. My Itoh Peony is full of buds, just about ready to bloom. I’m very excited about this.
Well, I’ve had a nice break from portraits. I said I would do a portrait painting for this week but got caught up in tulips. I should have saved these flowers for Mother’s Day. Oh well! I really think I will have a new portrait next time unless one of those peonies blooms! Have a wonderful week. Winifred
Two Daisies on Orange Oil Painting on Textured Panel
Years ago I created a highly textured panel. I toned it with a burnt orange color and then dripped a solvent on it – just playing and experimenting. I added some brushstrokes and ultimately ended up with something that looked like two fluffy orange peonies in a vase. I thought it pretty fun. Then one day while daisies were in bloom, I put a couple stems in a modern day champagne glass to paint them. Again, I chose a very textured panel to paint on. I decided the orange on orange painting would make a great background for the daisies. So, here we are with texture on texture. I enjoy the warmth and the light as well as painting daisies. I’m not sure why I haven’t painted tulips yet with so many currently blooming in my garden. I think it’s because I have a hard time cutting flowers in bloom.
As it sometimes turns out, I wasn’t very happy with my “2 Apples and 2 Bricks” painting I posted last week – but it’s not one I’ll continue to work on. I’ll never photograph items that have parallel lines with a camera phone again. One apple, however looked edible!
My power has gone off 3 times during the last 2 days. It’s the wind. This has greatly interrupted my work flow though my phone has kept me entertained. Have a wonderful week. Winifred
2 Apples 2 Bricks and Grapes Oil Painting by Winifred Whitfield
In an interview last night I heard a portrait artist say “if you want to improve your portrait paintings, paint fruit”. I actually know this to be true. I would also include flowers as well. It is the practice of creating form, seeing shapes and capturing lights and shadows which is being practiced. My recent still lifes – seem to express a theme – apples and grapes. These grapes weren’t in the reference but I felt the bricks needed them and at this point I could paint them from imagination. I wanted them a bit loose, so it was best for me not to have a reference. You know what would happen – the grapes would have been tight and photographic. It is also helpful that I have learned the science of painting grapes. They are translucent and light passes through them.
There was a drape behind the still life but I didn’t care for it so I painted these swirly things paying some attention to the pattern of light but not the shapes. For some reason, it’s the kind of thing my hand likes to do without too much trouble.
This week, I’ll get back to portraits. I’ve continued to work on the girl from Kazakhstan. Still not quite done. You’ve only seen the first two iterations. There will be more. I should start all of my post with “this is the first draft of…”. I have NEVER posted a painting which I did not substantial change in the following days or weeks. There is a reason for this and it is true for all painters. One has to get some time and distance from a painting and see it freshly in order to see really see it. Our eyes get use to seeing what we’re painting and very quickly we no longer view it’s colors, shapes and relationships correctly. It can conceivably become a “finished” painting in a few days, a few weeks, sometimes months until one looks at the work and doesn’t want to change anything. It’s a nice feeling when that happens. I just finished this painting tonight. I wonder what I will want to change on it in a couple days. Have a wonderful week. Winifred
It’s almost time for these incredibly beautiful flowers to bloom. They are likely to be in bloom already in some regions. I have an Itoh Peony. It’s a cross between this classic style peony and a tree peony. It was a very expensive – a purchase I made a couple years ago. It was in a 5 gallon container at the nursery full of blooms and so very beautiful. I decided I wanted this plant in my life. Since that time it has not yet exhibited the beauty I saw. Even that first season, it went into transplant shock when I moved it to a much larger container. That ended is blooms. The following year, there was a hard rain each day through it’s blooming season and the blooms were pummelled. Last year, for unknown reasons, the blooms were few and only mediocre. At this time, the foliage of my Itoh appears dense and very healthy giving rise to great optimism. This could be the year of flourish I’ve been waiting for.
The flowers of the Itoh look different from those of the classics peonies. The Itoh just has a different look. You might want to look it up. I will show you mine when in bloom.
It’s a very complicated process to paint these densely petaled flowers, but once one suffers through the process, one feels so accomplished – it ALMOST feels worth it. Hope you’re having a wonderful beginning of spring. Winifred
Kazakhstan Girl – Version Two 12×16 Oil Painting by Winifred Whitfield
This past week, I set out to improve upon the more loosely and unfinished painting I posted last week – the one below. I decided I could improve upon its loose and unfinished look – something I’m still trying to develop a greater appreciation for. I took it back to the easel. I spent hours and hours this week, making the painting “more correct” and more traditional. WHEN WILL I EVER LEARN! Finally today, I photographed the latest version of the painting and looked at the two versions side by side. Yes, the latest version is “more correct and more finished” but it’s energy and freshness is lost lost. I definitely prefer the version below. No one would care about a paintings correctness. They do care about color, energy and freshness. I’ll miss that painting. I’ve never painted a portrait in quite the style as the first version before – and now it’s gone. This was a good lesson for me. Previous painting is below for a quick comparison. What a difference. Happy Spring! Winifred
Kazakhstan Girl Oil Painting 12×16 by Winifred Whitfield
Kazakhstan Girl Oil Painting 12×16 by Winifred Whitfield
She was a high school senior when this reference photo was taken. It was more than 15 years ago. I had the opportunity to know the entire family and their many challenges as they attempted to integrate into this society and with no mom – who was dead. I found it interesting that this family came from the same country, Kazakhstan, as the actor/director/comedian Borat. Remember him? … a very funny guy. In creating this painting, I had some success in not over smoothing, not over blending and making some interesting brush marks from time to time.
Initially I attempted a floral painting. It’s so complicated that I put it down to paint this portrait. I think that’s funny. It was the chrysanthemums in the arrangement I couldn’t master, they have such a complex petal structure – but I’ll keep trying. Bye for now. Have a great week! Winifred
