The Goblet and the Drop Cloth

Goblet and Drop Cloth 16×12 BW Oil Painting by Winifred Whitfield

Drop cloths covered furniture to protect it while I prepared new panels for paintings. The drop cloths have an interesting character which allow it to hold folds and planes as opposed to soft gathers or draping effects. I felt strongly it would make a great background for my still life box set up. It would only require that I cut my drop cloth which I was reluctant to do. After I dismantled my protective use of the drop cloths, I folded them, each 9×12 feet, and put them away. However, my inner voice kept nagging me. It too knew I needed a piece of that drop cloth for use in my studio. I returned to their storage place, unfolded one of the drop cloths and made a 30 inch by 9 ft cut. I then cut that in half such that I now have two. Excitedly, I took one of my 2 halves to my studio and virtually tossed it across the back of my still life setup. Because of the stiffness of the backdrop, As I thought, it id easy and interesting to manipulate. I reminds me of the appearance of white table cloths in Cezanne’s paintings – though this is not what he used. I can also paint one side a different color. In fact I can have each of 4 sides a different color. So the fact is – I love it. I had recently pulled a white goblet from my cabinet. It was just there – nearby, waiting to be put away. I placed the goblet on the new background drop cloth. I turned my new spot light on. WOW! I thought it was so sculptural, so interesting. I took a quick I phone photo to isolate the image. It was good so I took 10 more photos – thinking I could go one better. The fact is, I like that first shot best and that’s what I painted.

Now you see why this painting is black and white only. There was a strong pull to add a spot of color – one red strawberry perhaps, but decided it was fine just as it is. I did use lots of juicy thick paint which is giving me great texture. A fun painting inspired by a painter drop cloth. That doesn’t happen everyday for sure. Hope you enjoy. Winifred

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Blue Vase and Oranges

Blue Vase and Oranges Oil Painting 16×12 by Winifred Whitfield

My thoughts are with the freezing and miserable people throughout the south. I hope utility services are resumed for them very quickly.

I can choose to paint a still life from an actual setup in my studio or from a photo on my iPad. For the past several months I’ve worked exclusively from the actual setup – even if I have a photo back up – in case a flower droops or looses petals. I find that my eyes want to go to the live props. That’s been interesting. My still life is now located so that I only have to make a slight movement of my eyes to view it – no turning of my head. This was not always the case but it’s definitely a workflow improvement. Now my quest is to be able to raise or lower the set up as a way to alter my point of view. You might think this easy but not yet. I will only need to purchase the right kind of stand to give myself that flexibility. I have many things to address this issue but none work as I would like. I’m always trying to make my workflow more efficient.

I also try to challenge myself in someway with each new painting. With this painting, I wanted to make glass look like glass while maintaining a painterly quality of the painting. The last thing I want is for someone to say the painting looks like a photograph. Been there, done that – for real! I really love painting but I assure you, it’s exhausting because of the level of concentration and often deliberation with each brushstroke required – the constant and ongoing decisions and judgements that have to be made. I often have some elements of the still life in place and evident but not others. In this painting, the choice of a background was changed mid stream. My original background had reds and oranges in it. It was pretty and colorful but competed with the still life elements of the foreground. I needed the background to move back – so I had to originate a new one on the fly. The more subdued colors work much better. I wanted the background to be interesting but not too interesting. I think it works. I’ll keep looking at it.

I’m taking a break for a day. My break is to sand down failed paintings and create a renewed painting surface on them to allow for their reuse. Have a great weekend and stay warm.

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The Tilt

Tilted Bowl of Fruit 16×12 Oil Painting by Winifred

It started when shopping for fruits and veggies. I saw a bunch of large tangerines in the center of the fruit display. They had large gnarly green leaves attached. I would include them as they would add a special touch to the bowl of fruit I’d create. I tilted the bottom of my support to change the point of view just a little to add additional interest. Primarily, I used a palette knife but not for everything. Always a challenge but I enjoyed creating this colorful energetic painting.

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The Vintage Tray

Roses on Vintage Tray 12×16 Oil on Panel

Roses are beautiful but complex to paint. It’s been a few months now, that I focused on painting roses. I started by painting single roses which I enjoy, but I also wanted to paint rose bouquets and to paint roses abstractly without a visual reference. This required that I understand the flower structure and be able to visualize the petals/flowers and lighting as the flower is turned.


I love the vintage tray the vase is sitting on.  I purchase most of my still life elements at Goodwill or at Poulsbo Antiques. On this one occasion, I walked into Goodwill and immediately spotted this tray – actually a removable table top.  You can’t see much of the tray in this painting, but it really is beautiful.  It was $175.00.  I had no place to use it as a table and it was far too expensive to use as an occasional still life prop – so I walked away – reluctantly.  The next time I was there it was $75.00. “WOW”, I thought, but I still walked away.  The next time, I was there it was $15.00!!!  This item had been in the floor so long that the cashier further reduced it to $11.00. We all love a good deal!!
Hope you enjoy this painting.  Next week I will post a very different style of painting – for me, and painted completely from imagination – no roses involved.

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Feel the Sun

16×16 Oil Painting “Apple and Orange” by Winifred

I enjoy the boldness of this painting emitting such strong shapes, color and contrast. In so many ways it is abstract in form, but otherwise NOT! It’s a real POW to the senses.

It’s almost New Years and I wish you and all those in your life a very Happy New Year. Somehow we will get to the other side of what purports to be a challenging political year.

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This Time of the Year

‘Stopping for a Margarita” 16×20 Oil Painting on Panel by Winifred Whitfield

I admit, this is not an image reflective of the Holidays. I thought I would have time to paint a holiday image – but I didn’t.

My painting reference is a photo I took in a Mexican restaurant in Ajijic, Mexico. I was struck by the foliage, that large leaf lit by a streak of sunlight. The chairs and tables were actually very colorful. There was a beautiful mural on the wall. Other than the mural, however, the walls were off white.

I wish you the merry and healthy holiday season, and get some rest, 2020 promises to challenge our PEACE! Winifred

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Brass Against Red Backdrop

Brass Teapot Against Red Backdrop – 12×16 Oil on Linen Panel

Brass Teapot on Red – Oil Painting by Winifred

In June, I set up and photographed many still lifes.  This was one I knew I would paint at some point – and finally, the day came.  Painting the textures of the various articles was challenging and fun.The colors are luscious. To make this painting easier, I opened the photograph in Photoshop, and used the dropper, to select individual hues and values to make color swatches. I printed these color samples on high gloss paper and took them into my “wet” studio to mix my paints to match the precise oil colors for the painting. Very effective! Hope you enjoy. Winifred

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Going Forward

Merry Christmas and Happy Chanukah  to all!!

I realize this post should lead with a pretty holiday themed painting – but alas! NO!!  I think such paintings are pretty, but best left to others to paint. I’ve always been that way.  I actually feel a little badly about it. However, I just wait out those guilty feelings and soon the holiday is over and all is well again.

In addition to the linen covered panels, I told you, Ive been making, I’ve now also made my own hand made oil paints. It’s pretty exciting to grind oil and pigment powder to make paint.

Still Life by Winifred Whitfield with First Handmade Oil Paints

This gives me full control over what’s in my paint and it’s consistency. To test my new paints, I did this quick little painting with paints I made. “Two Vases and a Grape”.  It is a little odd looking, isn’t it.The scale of things seem a bit off – but it’s really what I set up. I like the fact that you can’t really tell what’s going on. What is the vase on, and what’s beneath that and why is the other partial vase sitting off to to right – and one grape!  If any of these questions arose when this came into view. – I was successful. I also find the shapes and values interesting.

But that’s not all I’ve been doing!  On my stove – even as we speak – there is a large quantity of oil boiling, which I’m refining to use with my oils when painting and to use when making handmade paints.  I did not know I was this kind of person.  I’ve spent 4 hours today so far, almost literally watching a liter of oil boil in 8 liters of water, sand and salt.  After this cleaning process is complete – which it is not yet, I will oxygenate the oil further for several days with a little aquarium pump. The idea is to produce a thicker, cleaner, less yellowing, faster drying linseed oil for my oil painting – in the style of the “old masters”. Such oil can not be found commercially today in art stores, though some version may soon be introduced.

Even though there is not a card, I wish you and yours a very Merry Christmas, and a  Happy Chanukah!

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Clay Vase

Clay Vase – 5×7 Oil on Gessoed Board

Clay Vase Oil Painting by Winifred Whitfield

 

 I want only to paint something simple. I decided I would paint a simple vase.  I put a little backdrop cloth in my shadow box near my easel, I placed the vase and put a spot light on it for drama!

At this point it was no longer simple!! Every shadow and highlight, every curve, ever fold of the fabric, the background – becomes a separate element which must be painted.  I really like the early version. It only has transparent paint on it and It well expresses  the texture for the vase simply because you can see the hard board texture through it. 

 I enjoy the colors, the shapes, the highlights and shadows.   Hope you enjoy. W

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