Winifred Whitfield’s Portrait Tutorial Store Now Open

Winifred Whitfield trains digital portrait painters. Winifred’s Portrait Tutorial Store offers a collection of portrait painting tutorials for all painting levels, which can be purchased  and downloaded immediately from the store, individually or in multiples. The collection as of this date, includes 10  tutorials –  approximately 1 to 2.5 hours in length, which includes the painting of women, glamour, children, portrait fine art, and a man.

Please Visit Our Store

Ethnicity varies amongst the portrait paintings.  You will not be disappointed in the range of tutorial choices available to you. Short Video Previews are also available on the STORE page and Winifred is personally abailable to assist you in making the choice/s right for you. In addition there are many freebies –  gifts to you!  Please visit soon.

***(In the firefox browser, there appears to be a problem in accessing the product page.  Please choose an alternate browser if possible).

Tutorial Examples:


  Girl in White

 

Girl with Flower 

Lady in Red 

Creating Hollywood Glamour 

Man in White Shirt 

Corel Painter Training

In addition, there are about 10 viewer favorite Corel Painter 12.2  tutorials youtube videos now on the site from My Youtube Channel – where there are now more than 30 tutorials.

Please be sure to take advantage of these resources.

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Corel Painter 12.1 – Fun Painting

I thought I would try something different.  I am a huge fan of playing and experimenting.  To do so even with the “camera running” is even a greater challenge.  This is painting from imagination, just quickly putting the brush down as the image comes to mind.  If course the video speed was increased fur entertainment value.  I hope you enjoy. Winifred

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Corel Painter Tutorial 12.1 – Selections and Textures

The purpose of this Tutorial is to build experience in in visualizing a non photographic image,  making complex selections,  and making decisions about color texture which will affect the design and creativity of your painting. Any brush which has  “grain” in it’s name can be used.  I used the soft pastel.  With pastel and chalk brushes a grain setting of 7% gives the maximin grain.  Taking the grain setting to 100 percent pretty much allows you to paint without grain.  This is a fun way to create a painting and a good way to  experiment with creating a painting without cloning from a photo. Just play and enjoy.


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Winifred Whitfield Turns Photographs to Paintings

Photographs often serve as my inspiration, but I love creating portrait and fine art paintings. Whether the photograph is taped on on a wall to view or exist as an underlying layer in Corel Painter, my mission is to go beyond – far  beyond the photograph which inspires me to create a painting.

The following image progression represents just such a process.  I wish I could say that when I started to paint  I know where I am  going – that I have envisioned the final painting.  The fact is that  is rarely the case.  My paintings are created one brushstroke or one vision at a time ,as in – just keep putting one foot in front the other.  I just follow inner vision. Often I close my eyes to envision the  that next step and it always comes.  For sure, nothing will happen if one does not start. So, I support you in starting, in experimenting, in playing.  I paint everyday because I love it. I learn something new everyday.

The following image progression represents one such artistic journey for me:

Reference image – a boudoir portrait. I knew I wanted to subdue the colors

and to soften and paint all with brushstrokes and to darken her

bright sparkling eyes, to remove photographic detail.

I  changed the color pallet of the image before creating a
clone with painterly  brush strokes.

Now I was on my on and  I would paint the remainder from imagination.
I felt she needed a hat and I painted one.

I started to envision details – like flowers on her hat.

A color scheme continued to emerge.  I was not happy with the hands

in the original image  – not for hands in a classic portrait.

I painted a hand thinking of the grace and stylized long tapered

fingers seen in classic portraiture.

This is the final painting, its character, visual and emotional

content has been altered and it is sensuous in a different way.


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Corel Painter 12.1 – All About Color Sets

Use color sets to select a single color or select all the colors in a color set to paint with. Create custom color sets, add new color sets fron Corel Painter Extra Content. Modify a  color set. Add or delete from view color sets.  This video will show you how.

I created a custom color set in order to select colors for this painting.

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Corel Painter 12.1 – Painting Dancers

Painting Dancers

I love painting dancers though I have not created many such paintings.  I am changing this. I enjoyed painting the variations below in Corel Painter 12.1.

Watch the video to see how I create the four variations of this painting. Unfortunately, there is not enough time in the 15 minutes to demonstrate the initial painting.

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Playtime Again

By now you likely know the importance I find in just playing,” doodling” sometimes I call it. Just put that brush to canvas and see where it takes you. That is how the following painting was born. I was continuing to explore the Real Camelhair brush variant in the Oil Category of Corel Painter which will sample multiple colors.  And so I “dipped” into blue and white and started to twirl – creating a “Van Gough” sky.   And then yellow and more blue. OK – fun – time to form land. Waves of green began to form a hill side, and then the reverse then gave depth and perspective.  Perhaps there should be trees, I thought, more twirls formed the trees and then the apples.  Apples started to fall  to the ground and to roll to low spots. Perhaps there should be children gathering them, I thought. Little girls appeared, two of them more interested in the collecting than the other – who read her book. I  thought of body positions, sitting, reaching, bracing on a hillside. I was able to do this quickly and fluidly – I am always amazed when this happens.  And so this cheerful illustrative painting came into being.

And so it goes sometimes, when I put brush to canvas.

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From Photo to Painting

As you know, I  derive great pleasure in taking a photo which appeals to me and making it a painting.  To the extent you can visual the  final Painting – or at least come close, you are all the better for it. Your workflow and process will go more smoothly.  I was fascinated by this architecture. I decided that I wanted to give the image more space so I enlarged the canvas area and extended the sky and water.  From that, I could make a sketch and begin to paint adding and removing elements,  and adjusting colors as the painting evolved.

Original Photo

A Sketch  Can be Made in Painter or Photoshop

Final Painting with Additional Texture Layer Applied



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Spring in New York

Spring 2012

I don’t know when New York has had  a winter such as the one past.  There was a freaky heavy snow this past Halloween.  I was in town at that time as well.  I found the beauty but was not inconvenienced by it.  Back again, to experience an early full blown sun lit Spring.  I spend many of my days at the museums. Yesterday I saw the Gertrude Stein collection at the Met.  A couple of days ago, I viewed the Diego Rivera exhibit at MOMA.

Since recently taking a class in painting street scenes, I must say that I have been looking at the people, traffic and buildings in New York in quite a different way. After leaving the Met a few days ago, I walked wistfully down 5th Ave.  Central Park was across the street from me  to my right and I sought to hug any strip of shade I could find next to the buildings which flanked me to my left. Suddenly I came upon a courtyard with two cherry trees in bloom.  A high fence  beautiful ornamental wrought iron fence shielded the property from the public.  I stuck my iPhone through the , however to snap a couple of images. An interesting perspective, I thought.  This is the resulting painting.  I like it quite a lot.

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Painting Italian Street Scenes 2

Focusing  on Perspective

I chose this image to paint. It has strong leading lines and a lovely outdoor cafe.

I simplified the structure as shown in the diagram below.

Determining the horizon line is not scientific but one was chosen along

A vanishing point was also identified.

This is the final painting.

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